Damir Pusic

​With old-fashined tree exudate gum varnishes like damar and mastic, the time required to achieve a tack-free coating can be irregular, depending on factors like ambient humidity. Many artists simply will not varnish on a rainy day at all, to avoid risking long-term tackiness. In my studio, I recall that a thin coat of factory-made damar dried to an acceptable, tack-free hardness in 2-3 days when humidity was low; homemade varnish would take a day or two longer. Drying rates were not uniform, though- sometimes a picture would remain tacky longer than was convenient, and I learned not to be in a hurry where damar was concerned. Years ago, I adopted acrylic solution varnish and found that drying times were more regular and shorter, and that removal (when necessary) was much easier, with less risky solvents. 

There are far too many variables here for me to be able to answer this question. First evaporation rates are given as ratios compared to diethyl ether. Oil of turpentine is listed as 170.
This does not tell us much but there are many more important factors here.  For instance, what cut is the varnish (how much turp to how much resin)? How thickly was it applied? What is the temperature in the space? What is the RH? If this is going to be in a hood, what is the airflow? What is the affinity of dammar to hold turpentine? Finally, I do not use dammar so I can’t speak even empirically on this. Perhaps someone else will take a stab at giving you a time range despite the difficulty of being very precise given the above.

​Matthew, it looks like we cross posted. Thanks for adding some practical info here.