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#	Post Title	Date	User
	Varnish or fixative for Prismacolor, and graphite	6 years ago	studioksr
Pencil Varnishes Other Art Conservation Topics
	Traditional drying oil – hard resin varnishes	6 years ago	roman
Drying Oils Scientific Analysis Solvents and Thinners Varnishes Art Conservation Topics
	Effects of ageing and conservation efforts on Renaissance egg tempera paintings	6 years ago	roman
Art Conservation Topics Egg Tempera Scientific Analysis Oil Paint
	Tradition Gesso to Fiberglass	6 years ago	larrylazzardo
Animal Glue Rigid Supports Sizes and Adhesives Art Conservation Topics Egg Tempera
	Adhering Muslin or Linen to ACM for use with Traditional Gesso and Egg Tempera	6 years ago	larrylazzardo
Animal Glue Acrylic Art Conservation Topics Egg Tempera Grounds / Priming Rigid Supports Sizes and Adhesives
	Dibond Vs Plywood panel	6 years ago	thomas ehretsmann
Acrylic Art Conservation Topics Rigid Supports
	Polyester Canvas	6 years ago	mach 1
Flexible Supports Oil Paint Art Conservation Topics
	Vandlized Painting	6 years ago	duane bowers
Art Conservation Topics
	archival adhesive wood and paper	6 years ago	cduennebier
Animal Glue Art Conservation Topics
	Another Mt. Athos Icon Question	6 years ago	koo schadler
Art Conservation Topics Egg Tempera
	Polyethylene foam as a frame-padding material for wood panels?	6 years ago	bsones
Matting Framing and Glazing Rigid Supports Oil Paint Art Conservation Topics
	Any issues with using pure Lamp Black (PBk6) with oils?	6 years ago	richard phipps
Art Conservation Topics Oil Paint Pigments Scientific Analysis
	Transportation	6 years ago	cathy griggs
Acrylic Alkyd Art Conservation Topics Handling and Transportati Paint Mediums Oil Paint Pigments Scientific Analysis Storage
	Sound and Toxin Free Oil Painting	6 years ago	[email protected]
Oil Paint Alkyd Grounds / Priming Health and Safety Rigid Supports Sizes and Adhesives Art Conservation Topics
	How to frame a painting on panel without using screws?	6 years ago	thomas ehretsmann
Acrylic Rigid Supports Art Conservation Topics

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