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# Post Title Date User
do we really need to seal the wood for oil painting?   2 years ago Miao Miao
Acrylic Art Conservation Topics Oil Paint Rigid Supports
Pierced Traditional Gesso, Hardboard, Egg Tempera and SID   2 years ago larrylazzardo
Rigid Supports Grounds / Priming Animal Glue Egg Tempera
[HELP] best practice of preparing tempered hardboard for oil painting   2 years ago Miao Miao
Art Conservation Topics Grounds / Priming Sizes and Adhesives Rigid Supports
[confused concept] do we really need sizing?   2 years ago Miao Miao
Grounds / Priming Oil Paint Rigid Supports Art Conservation Topics
Is it safe to use dyed linen?   2 years ago N N
Oil Paint Flexible Supports
Inquiry regarding archival support options   2 years ago Jesus Boltzmann
Art Conservation Topics Oil Paint Rigid Supports Industrial and Non-Tradit
Preparing 6oz portrait linen   2 years ago ange
Flexible Supports Grounds / Priming
Fiberboard and animal glue   2 years ago damirp
Art Conservation Topics Egg Tempera Grounds / Priming Rigid Supports Sizes and Adhesives
GAC 400 for use in a multi-layed collage?   2 years ago elsvanbrugge
Acrylic Rigid Supports Sizes and Adhesives
Cradling panels directlly or after primer/ground?   2 years ago damirp
Grounds / Priming Rigid Supports
does tempered hardboard really a permenant archival substrate?   2 years ago Miao Miao
Rigid Supports
How to remove bubbles from a gessoed linen   2 years ago hector hernandez
Mural Painting Flexible Supports
mixing lead white oil paint with titanium white oil paint to improve paint film   2 years ago richard rock
Oil Paint Rigid Supports
Mural painting on panels   2 years ago Ralph Gilbert
Mural Painting Rigid Supports
Stretching an oversized linen canvas   2 years ago hector hernandez
Flexible Supports Grounds / Priming Sizes and Adhesives
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